关于有国画意味的中国油画的发展.pdf

厦门大学
硕士学位论文
关于有国画意味的中国油画的发展
姓名:闫卓
申请学位级别:硕士
专业:美术学
指导教师:周鸣祥
20070401
论文摘要
有国画意味的中国油画是中国传统绘画和西方油画相结合的产物,是最能代
表中国文化特点的油画形式之ー。从油画引入我以来,先后几代画家都分别以
不同的形式语言进行着有国画意味的中国油画的尝试和探索,他们从对传统中国
绘画的借鉴入手,从中国文化中汲取营养,并在创作方面取得了很大的成就。本
文将对有国画意味的中国油画的发展进行以下三个方面的论述。
油画传入我国以后对中国画坛的影响。首先介绍了油画传入我国以前中
国绘画的“私人化”状态,其次是油画传入中国之后对传统绘画的影响和它们之
间的相互的作用,最后说明由于传统绘画和传统文化对油画的潜移默化的影响,
导致了有国画意味的中国油画的产生。
、中国油画家在有国画意味的中国油画方面的探索。这是本文重点论述的
一部分,主要以图片为例论述了从中国油画产生以后的几代画家在这个方面所做
出的努力。他们在中国传统绘画的各个层面都做出了借鉴的尝试,包括对图式
笔墨技法、色彩方面的借鉴与融入,当然也有对国画中“气韵生动”的追求和在
绘画“文人气”方面的体现
三、对有国画意味的中国油画发展的展望。主要叙述了有国画意味的中国油
画虽然从中国传统绘画中汲取营养,但由于身处现代开放的环境下,所以它发展
的终极目标和传统中国绘画有了很大的不同,即:侧重于对绘画技法和现代感的
不断深入追求。
关键词:“私人化”倾向;文人气;现代感
Abstract
As the product of the combination of traditional Chinese painting and western oil
painting, the sinified oil painting is one of those oil painting styles that best represent
Chinese culture. Ever since oil painting was introduced into China, generations of
painters have been conducting in their own ways the experiments and researches on
the sinified oil painting. Through borrowing ideas from Chinese paintings, they
benefited from Chinese culture and thus accomplished great achievements in paintin
Focusing on this, the present paper tries to discuss the development of the sinified o
painting from the following aspects in three chapters
Chapter One points out that oil painting has exerted great influence on Chinese
painting circles since it was introduced into China. In this part, the present author
firstly introduces the" Personalization trend of Chinese painting before the
introduction, and the influence of oil painting on Chinese painting as well as their
interaction after it was introduced, and then points out that it is the immense reaction
of Chinese painting to traditional painting and culture that leads to the appearance of
the sinified oil painting
Chapter Two, the most important part of this paper, presents those researches
carried out by Chinese painters. Through the analyses of their works, the present
author expatiates on the efforts made by those painters: they have borrowed ideas
from every aspect of Chinese painting, including composition, brush and ink skill and
color ect. and they have even tried to pursue in their oil paintings"Vividness and
Vitality and "Literati Temperament which are typical of Chinese paintings.
Chapter Three is about the future of the sinified oil painting. Though the sinified
oil painting has greatly benefited from Chinese painting, its development will be
different from that
traditional Chinese painting due to the modem and open
environment, and such a difference primarily lies in painting itself, i.e., the sinified oil
painting aims at the improvement of skills and modern sense of painting
Key Words: Personalization Trend; Literati Temperament; Modem Sense